30,471 Free Images of Center Pivot

yale center for british artetchings in the yale center for british artetchinghand-coloredjames gillraypaperdrawings in the yale center for british artgraphitelaid paperisaac cruikshank
Blindmans-Buff - or - Too Many for John Bull, James Gillray, 1795
etchings in the yale center for british artjames gillray
The In's and the Outs of the Jesuits Treatment of his Friends, Richard Newton, 1797
etchings in the yale center for british artrichard newton
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots", James Gillray, 1798
etchings in the yale center for british artjames gillray
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..., James Gillray, 1780
etchings in the yale center for british artjames gillray
A Sun Setting in a Fog, With The Old Hanover Hack Descending, James Gillray, 1783
etchings in the yale center for british artjames gillray
Harlech Castle, North Wales, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
Ormond Castle, Thomas Medland, 1806
aquatint prints in the yale center for british artthomas medland
Cottage and trees, Gainsborough Dupont
drawings in the yale center for british artgainsborough dupont
Head and Shoulders of a Collie Dog, Wearing a Leash or Tether, Sketchy Sheep in Background, Henry Thomas Alken
drawings in the yale center for british arthenry thomas alken
Mortlake, William Westall, 1823
lithograph prints in the yale center for british artwilliam westall
The Irish Bull broke Loose, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Loch Tay Looking toward Killin, Thomas Medland, 1802
aquatint prints in the yale center for british artthomas medland
Dustanborough Castle, Robert Brandard, 1830
engravings in the yale center for british artrobert brandard
A Dash Up St. James's Street, James Gillray, 1797
etchings in the yale center for british artjames gillray
General Mack, Scampering Back!, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Susanna and the Elders, Richard Earlom, 1769
mezzotint prints in the yale center for british artrichard earlom
Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats, James Malton, 1802
architectural drawings in the yale center for british artjames malton
A New French Bussing Match or More Cursing and Swearing for the Assembly, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
Rochester, Stroud, and Chatham, Medway, John Charles Varrall, between 1827 and 1838
etchings in the yale center for british artjohn charles varrall
The Coming-On, of the Monsoons; or - The Retreat from Seringapatam, James Gillray, 1791
etchings in the yale center for british artjames gillray
Dainty Nice Sprats, Ho!, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Angua (Boswellia papyrifera), Luigi Balugani
drawings in the yale center for british artluigi balugani
Head of a Foxhound, in Profile Right, Henry Thomas Alken
drawings in the yale center for british arthenry thomas alken
The Cover, George Hunt, 1823
aquatint prints in the yale center for british artgeorge hunt
Menghi (Rhus glutinosa), Luigi Balugani
drawings in the yale center for british artluigi balugani
Tree Study, Cornelius Varley
drawings in the yale center for british artcornelius varley
Gen'l Swallow Destroying the French Army, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Political Boxing; or an Attack, at the Woolsack, Richard Newton, 1792
etchings in the yale center for british artrichard newton
Bermerside, John Horsburgh, 1834
engravings in the yale center for british artjohn horsburgh
View of the Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c. taken from Pont Notre Dame, Thomas Girtin, 1802
prints in the yale center for british artthomas girtin
Self Murder or the Wolf Tried and Convicted on his own Evidence, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Ehrenbreitstein, John Pye, 1828
engravings in the yale center for british artjohn pye
A Witch, Upon a Mount's Edge - Vide: Fuzelli, James Gillray, 1791
etchings in the yale center for british artjames gillray
No Flower that Blows, Is Like this Rose, James Gillray, 1796
etchings in the yale center for british artjames gillray
Two of a Trade Can Never Agree, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
View of St Stephen's Chapel as it appeared after the Fire in October 1834, Frederick Mackenzie, 1843
lithograph prints in the yale center for british artfrederick mackenzie
The Alto Relievo, Benjamin Smith, 1796
prints in the yale center for british artbenjamin smith
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe, James Gillray, 1796
etchings in the yale center for british artjames gillray
A Portrait ------------, James Gillray, 1799
etchings in the yale center for british artjames gillray
The Triumph of Bacchus or a Consultation on the Additional Wine Duty!!!, Isaac Cruikshank, 1796
etchings in the yale center for british artisaac cruikshank
Julius Caesar: Act IV Scene III: Brutus' Tent..., Edward Scriven, 1802
engravings in the yale center for british artedward scriven
Evening or the Sportsman's Return, Joseph Grozer, 1795
mezzotint prints in the yale center for british artjoseph grozer
The King's Entrance to the House of Lords, From Poets Corner, William Deeble, 1829
engravings in the yale center for british artwilliam deeble
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite, James Gillray, 1798
etchings in the yale center for british artjames gillray
John Bull Ask'd at Saint Stephens, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Turbaned Cavalryman, Right Arm with Curved Sword Upraised, Henry Thomas Alken, between 1827 and 1851
drawings in the yale center for british arthenry thomas alken
Swearing to the Cutting Monster or - A Scene in Bow Street, James Gillray, 1790
etchings in the yale center for british artjames gillray
"Scraps", No. 39: Mounted Hussars, Henry Thomas Alken, 1823
drawings in the yale center for british arthenry thomas alken
The Thieves detected at Last, or - a Wonderful Discovery at Windsor Farm, Richard Newton, 1792
etchings in the yale center for british artrichard newton
A Political Wil'O The Wisp, Richard Newton, 1795
etchings in the yale center for british artrichard newton
The Forge, James Sharples, 1859
engravings in the yale center for british artjames sharples
The Near in Blood, the Nearer Bloody, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
The Lecture House, Watford, Henry Edridge, 1806
drawings in the yale center for british arthenry edridge
St. Nil, Francesco Bartolozzi, 1762
etchings in the yale center for british artfrancesco bartolozzi
The Colosseum at Rome, Hercules Brabazon Brabazon
drawings in the yale center for british arthercules brabazon brabazon
John Bull Ground Down, James Gillray, 1795
etchings in the yale center for british artjames gillray
Circus Scene, Charles Conder, 1905
drawings in the yale center for british artcharles conder
Eminentissimus Armandus Ioannes Du Plessis Cardinalis Richeleus, William Faithorne, between 1660 and 1690
etchings in the yale center for british artwilliam faithorne
Arundinaria alpina, Luigi Balugani
drawings in the yale center for british artluigi balugani
Patern-Staff - Weymouth, James Gillray, 1797
etchings in the yale center for british artjames gillray
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy, James Gillray, 1796
etchings in the yale center for british artjames gillray
Blockley Church, Thomas Bonnor, 1793
etchings in the yale center for british artthomas bonnor
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone, James Gillray, 1797
etchings in the yale center for british artjames gillray
The New Prussian Exercise, Or - The Allied Armies Distressed in their Rears with a Hint at the Convenience of Sans Culottes, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
Westminster Races, A Political Heat Run in Convent Garden, Isaac Cruikshank, 1784
etchings in the yale center for british artisaac cruikshank
Taymouth, Samuel Alken, 1802
aquatint prints in the yale center for british artsamuel alken
Ancient Music, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Triumphal Entry of 100.000 (Crown)'s or a Luck Hit for E-O T-O P-O HO, and A'll the Rest of the O's (from: Caricature, vol. 4), Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
The Illustrious Lover of the D. of Cumberland Done Over, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
Portrait of a Young Man, Edward Matthew Ward
drawings in the yale center for british artedward matthew ward
Design for the New Gallery of Busts and Pictures, James Gillray, 1792
etchings in the yale center for british artjames gillray
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris, James Gillray, 1796
etchings in the yale center for british artjames gillray
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching, Henry Thomas Alken
drawings in the yale center for british arthenry thomas alken
Pittosporum viridiflorum, Luigi Balugani
drawings in the yale center for british artluigi balugani
Lady Charles Spencer, William Dickinson, 1776
mezzotint prints in the yale center for british artwilliam dickinson
A Natural Crop; - Alias - A Norfolk Dumpling, James Gillray, 1791
etchings in the yale center for british artjames gillray
Windsor Castle in the Reign of Queen Elizabeth, engraved for Gentleman's Magazine, John Swaine, 1849
engravings in the yale center for british artjohn swaine
Subterranean Pool with Sculptural Torchere, Francis Danby
drawings in the yale center for british artfrancis danby
Contemplation, Caroline Watson, 1790
engravings in the yale center for british artcaroline watson
Billy's Fantoccini or John Bull over Curious, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Sassa (Albizia gummifera), Luigi Balugani
drawings in the yale center for british artluigi balugani
Suffolk Rats protecting their Cheese, or the County Fencibles called to Arms, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
St. Alban's Abbey, Henry Edridge, circa 1800
architectural drawings in the yale center for british arthenry edridge
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2), James Gillray, 1782
etchings in the yale center for british artjames gillray
Extirpation of the Plagues of Egypt, James Gillray, 1798
etchings in the yale center for british artjames gillray
View of St. Cloud and Mount Calvary taken from Pont de Seve, Thomas Girtin, 1802
prints in the yale center for british artthomas girtin
The English Regency, James Gillray, 1789
etchings in the yale center for british artjames gillray
Harbor Scene, Joseph Cartwright
drawings in the yale center for british artjoseph cartwright
A Warm Birth for the Old Administration -----, James Gillray, 1783
etchings in the yale center for british artjames gillray
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat, James Gillray, 1796
etchings in the yale center for british artjames gillray
The Victorious Procession to St. Pauls or Billy's Grand Triumphal, Entry a Prelude, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
A Salt Water Salute, Richard Newton, 1794
etchings in the yale center for british artrichard newton
John Bull Taking a Luncheon; - or - British Cooks, Cramming Old Grumble-Gizzard with Bonne-Chere (from: Caricature, vol. 1), James Gillray, 1798
etchings in the yale center for british artjames gillray
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
Boy standing by a cottage, Gainsborough Dupont
drawings in the yale center for british artgainsborough dupont
Sailboat, Thomas Daniell
drawings in the yale center for british artorientalism
The States of the Bowels; or a Fashionable Disorder!, John Cawse, 1794
etchings in the yale center for british artjohn cawse
The Fall of Dagon - or Rare News for Leaden-Hall Street, James Gillray, 1784
etchings in the yale center for british artjames gillray
A Room at Great Grove House, Kensington, Mrs. Bavizzetti's Seminary, John Claude Nattes, 1812
drawings in the yale center for british artjohn claude nattes
A Sketch from Highlife, Richard Newton, 1791
etchings in the yale center for british artrichard newton
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